18th Annual Academy Awards Nominations (1946)

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©A.M.P.A.S.®
  • Date of Ceremony: Thursday, March 7, 1946
  • For films released in: 1945
Other years:

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Here is a complete list of nominations for the 18th Annual Academy Awards.

And the nominees are:

Best Motion Picture

  • Anchors Aweigh
    Metro-Goldwyn-Mayer
  • The Bells of St. Mary's
    Rainbow Productions
  • The Lost Weekend
    Paramount
  • Mildred Pierce
    Warner Bros.
  • Spellbound
    Selznick International Pictures

Best Directing

  • The Bells of St. Mary's
    Leo McCarey
  • The Lost Weekend
    Billy Wilder
  • National Velvet
    Clarence Brown
  • The Southerner
    Jean Renoir
  • Spellbound
    Alfred Hitchcock

Best Actor

  • Anchors Aweigh
    Gene Kelly
  • The Bells of St. Mary's
    Bing Crosby
  • The Keys of the Kingdom
    Gregory Peck
  • The Lost Weekend
    Ray Milland
  • A Song to Remember
    Cornel Wilde

Best Actress

  • The Bells of St. Mary's
    Ingrid Bergman
  • Leave Her to Heaven
    Gene Tierney
  • Love Letters
    Jennifer Jones
  • Mildred Pierce
    Joan Crawford
  • The Valley of Decision
    Greer Garson

Best Actor in a Supporting Role

  • The Corn Is Green
    John Dall
  • G. I. Joe
    Robert Mitchum
  • A Medal for Benny
    J. Carrol Naish
  • Spellbound
    Michael Chekhov
  • A Tree Grows in Brooklyn
    James Dunn

Best Actress in a Supporting Role

  • The Corn Is Green
    Joan Lorring
  • Mildred Pierce
    Eve Arden
  • Mildred Pierce
    Ann Blyth
  • National Velvet
    Anne Revere
  • The Picture of Dorian Gray
    Angela Lansbury

Best Art Direction (Black-and-White)

  • Blood on the Sun
    Wiard Ihnen [Art Direction] and A. Roland Fields [Interior Decoration]
  • Experiment Perilous
    Albert S. D'Agostino [Art Direction], Jack Okey [Art Direction], Darrell Silvera [Interior Decoration] and Claude Carpenter [Interior Decoration]
  • The Keys of the Kingdom
    James Basevi [Art Direction], William Darling [Art Direction], Thomas Little [Interior Decoration] and Frank E. Hughes [Interior Decoration]
  • Love Letters
    Hans Dreier [Art Direction], Roland Anderson [Art Direction], Sam Comer [Interior Decoration] and Ray Moyer [Interior Decoration]
  • The Picture of Dorian Gray
    Cedric Gibbons [Art Direction], Hans Peters [Art Direction], Edwin B. Willis [Interior Decoration], Hugh Hunt [Interior Decoration] and John Bonar [Interior Decoration]

Best Art Direction (Color)

  • Frenchman's Creek
    Hans Dreier [Art Direction], Ernst Fegte [Art Direction] and Sam Comer [Interior Decoration]
  • Leave Her to Heaven
    Lyle Wheeler [Art Direction], Maurice Ransford [Art Direction] and Thomas Little [Interior Decoration]
  • National Velvet
    Cedric Gibbons [Art Direction], Urie McCleary [Art Direction], Edwin B. Willis [Interior Decoration] and Mildred Griffiths [Interior Decoration]
  • San Antonio
    Ted Smith [Art Direction] and Jack McConaghy [Interior Decoration]
  • A Thousand and One Nights
    Stephen Goosson [Art Direction], Rudolph Sternad [Art Direction] and Frank Tuttle [Interior Decoration]

Best Cinematography (Black-and-White)

  • The Keys of the Kingdom
    Arthur Miller
  • The Lost Weekend
    John F. Seitz
  • Mildred Pierce
    Ernest Haller
  • The Picture of Dorian Gray
    Harry Stradling Sr.
  • Spellbound
    George Barnes

Best Cinematography (Color)

  • Anchors Aweigh
    Robert Planck and Charles Boyle
  • Leave Her to Heaven
    Leon Shamroy
  • National Velvet
    Leonard Smith
  • A Song to Remember
    Gaetano "Tony" Gaudio and Allen M. Davey
  • The Spanish Main
    George Barnes

Best Documentary (Feature)

  • The Last Bomb
    United States Army Air Force
  • The True Glory
    The Governments of Great Britain and the United States of America

Best Documentary (Short Subject)

  • Hitler Lives?
    Gordon Hollingshead
  • Library of Congress
    United States Office of War Information Overseas Motion Picture Bureau
  • To the Shores of Iwo Jima
    United States Marine Corps

Best Film Editing

  • The Bells of St. Mary's
    Harry Marker
  • The Lost Weekend
    Doane Harrison
  • National Velvet
    Robert J. Kern
  • Objective, Burma!
    George Amy
  • A Song to Remember
    Charles Nelson

Best Music (Music Score of a Dramatic or Comedy Picture)

  • The Bells of St. Mary's
    Robert Emmett Dolan
  • Brewster's Millions
    Lou Forbes
  • Captain Kidd
    Werner Janssen
  • The Enchanted Cottage
    Roy Webb
  • Flame of Barbary Coast
    Morton Scott and Dale Butts
  • G. I. Honeymoon
    Edward J. Kay
  • G. I. Joe
    Louis Applebaum and Ann Ronell
  • Guest in the House
    Werner Janssen
  • Guest Wife
    Daniele Amfitheatrof
  • The Keys of the Kingdom
    Alfred Newman
  • The Lost Weekend
    Miklos Rozsa
  • Love Letters
    Victor Young
  • The Man Who Walked Alone
    Karl Hajos
  • Objective, Burma!
    Franz Waxman
  • Paris--Underground
    Alexander Tansman
  • A Song to Remember
    Miklos Rozsa and Morris Stoloff
  • The Southerner
    Werner Janssen
  • Spellbound
    Miklos Rozsa
  • This Love of Ours
    H. J. Salter
  • The Valley of Decision
    Herbert Stothart
  • The Woman in the Window
    Arthur Lange and Hugo Friedhofer

Best Music (Scoring of a Musical Picture)

  • Anchors Aweigh
    George Stoll
  • Belle of the Yukon
    Arthur Lange
  • Can't Help Singing
    Jerome Kern and H. J. Salter
  • Hitchhike to Happiness
    Morton Scott
  • Incendiary Blonde
    Robert Emmett Dolan
  • Rhapsody in Blue
    Ray Heindorf and Max Steiner
  • State Fair
    Alfred Newman and Charles Henderson
  • Sunbonnet Sue
    Edward J. Kay
  • The Three Caballeros
    Charles Wolcott, Edward Plumb and Paul J. Smith
  • Tonight and Every Night
    Marlin Skiles and Morris Stoloff
  • Why Girls Leave Home
    Walter Greene
  • Wonder Man
    Ray Heindorf and Lou Forbes

Best Music (Song)

  • Anchors Aweigh "I Fall in Love Too Easily"
    Jule Styne [Music by] and Sammy Cahn [Lyrics by]
  • Belle of the Yukon "Sleighride in July"
    James Van Heusen [Music by] and Johnny Burke [Lyrics by]
  • The Bells of St. Mary's "Aren't You Glad You're You?"
    James Van Heusen [Music by] and Johnny Burke [Lyrics by]
  • Can't Help Singing "More and More"
    Jerome Kern [Music by] and E.Y. Harburg [Lyrics by]
  • Earl Carroll Vanities "Endlessly"
    Walter Kent [Music by] and Kim Gannon [Lyrics by]
  • G. I. Joe "Linda"
    Ann Ronell [Music and Lyrics by]
  • Here Come the Waves "Accentuate the Positive"
    Harold Arlen [Music by] and Johnny Mercer [Lyrics by]
  • Love Letters "Love Letters"
    Victor Young [Music by] and Eddie Heyman [Lyrics by]
  • San Antonio "Some Sunday Morning"
    Ray Heindorf [Music by], M.K. Jerome [Music by] and Ted Koehler [Lyrics by]
  • Sing Your Way Home "I'll Buy That Dream"
    Allie Wrubel [Music by] and Herb Magidson [Lyrics by]
  • State Fair "It Might As Well Be Spring"
    Richard Rodgers [Music by] and Oscar Hammerstein II [Lyrics by]
  • Tonight and Every Night "Anywhere"
    Jule Styne [Music by] and Sammy Cahn [Lyrics by]
  • Why Girls Leave Home "The Cat and the Canary"
    Jay Livingston [Music by] and Ray Evans [Lyrics by]
  • Wonder Man "So in Love"
    David Rose [Music by] and Leo Robin [Lyrics by]

Best Short Subject (Cartoon)

  • Donald's Crime
    Walt Disney
  • Jasper and the Beanstalk
    George Pal
  • Life with Feathers
    Eddie Selzer
  • Mighty Mouse in Gypsy Life
    Paul Terry
  • The Poet and Peasant
    Walter Lantz
  • Quiet Please!
    Frederick Quimby
  • Rippling Romance
    Screen Gems

Best Short Subject (One-reel)

  • Along the Rainbow Trail
    Edmund Reek
  • Screen Snapshots' 25th Anniversary
    Ralph Staub
  • Stairway to Light
    Herbert Moulton and Jerry Bresler [Executive Producer]
  • Story of a Dog
    Gordon Hollingshead
  • White Rhapsody
    Grantland Rice
  • Your National Gallery
    Joseph O'Brien and Thomas Mead

Best Short Subject (Two-reel)

  • A Gun in His Hand
    Chester Franklin and Jerry Bresler [Executive Producer]
  • The Jury Goes Round 'N' Round
    Jules White
  • The Little Witch
    George Templeton
  • Star in the Night
    Gordon Hollingshead

Best Sound Recording

  • The Bells of St. Mary's
    RKO Radio Studio Sound Department and Stephen Dunn [Sound Director]
  • Flame of Barbary Coast
    Republic Studio Sound Department and Daniel J. Bloomberg [Sound Director]
  • Lady on a Train
    Universal Studio Sound Department and Bernard B. Brown [Sound Director]
  • Leave Her to Heaven
    20th Century-Fox Studio Sound Department and Thomas T. Moulton [Sound Director]
  • Rhapsody in Blue
    Warner Bros. Studio Sound Department and Nathan Levinson [Sound Director]
  • A Song to Remember
    Columbia Studio Sound Department and John P. Livadary [Sound Director]
  • The Southerner
    General Service and Jack Whitney [Sound Director]
  • They Were Expendable
    Metro-Goldwyn-Mayer Studio Sound Department and Douglas Shearer [Sound Director]
  • The Three Caballeros
    Walt Disney Studio Sound Department and C.O. Slyfield [Sound Director]
  • Three Is a Family
    RCA Sound and W.V. Wolfe [Sound Director]
  • The Unseen
    Paramount Studio Sound Department and Loren L. Ryder [Sound Director]
  • Wonder Man
    Samuel Goldwyn Studio Sound Department and Gordon E. Sawyer [Sound Director]

Best Special Effects

  • Captain Eddie
    Fred Sersen [Photographic Effects by], Sol Halprin [Photographic Effects by], Roger Heman [Sound Effects by] and Harry Leonard [Sound Effects by]
  • Spellbound
    Jack Cosgrove [Photographic Effects by]
  • They Were Expendable
    A. Arnold Gillespie [Photographic Effects by], Donald Jahraus [Photographic Effects by], Robert A. MacDonald [Photographic Effects by] and Michael Steinore [Sound Effects by]
  • A Thousand and One Nights
    Lawrence W. Butler [Photographic Effects by] and Ray Bomba [Sound Effects by]
  • Wonder Man
    John Fulton [Photographic Effects by] and Arthur W. Johns [Sound Director]

Best Writing (Original Screenplay)

  • Dillinger
    Philip Yordan
  • Marie-Louise
    Richard Schweizer
  • Music for Millions
    Miles Connolly
  • Salty O'Rourke
    Milton Holmes
  • What Next, Corporal Hargrove?
    Harry Kurnitz

Best Writing (Screenplay)

  • G. I. Joe
    Leopold Atlas, Guy Endore and Philip Stevenson
  • The Lost Weekend
    Charles Brackett and Billy Wilder
  • Mildred Pierce
    Ranald Macdougall
  • Pride of the Marines
    Albert Maltz
  • A Tree Grows in Brooklyn
    Tess Slesinger and Frank Davis

Best Writing (Original Motion Picture Story)

  • The Affairs of Susan
    Thomas Monroe and Laszlo Gorog
  • The House on 92nd Street
    Charles G. Booth
  • A Medal for Benny
    John Steinbeck and Jack Wagner
  • Objective, Burma!
    Alvah Bessie
  • A Song to Remember
    Ernst Marischka
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